lists them, and there are more than you'd think in the '70s. I say that because the only one of them in print is 1970's I Am The Blues.
I suspect that what we have here is record company muscle, pure and simple. The others were on small labels: Dixon's own Yambo, or Ovation. But this one's on Columbia. Everybody seems to agree that it's no great shakes, but it's still in print; Willie Dixon is a name, and Columbia is a name, and so it sells. Without the others as a context, though, it's hard to know quite what to make of this record. The roster of players is stellar (although you wouldn't know it from the CD, which leaves out all such frills as musician info): Sunnyland Slim, Walter Horton, Johnny Shines. But was this Dixon and the band at their best? Or just their safest?
It's not bad by any means. The backing is solid, and at times nearly definitive; the arrangements are loose but careful, at least attempting to give these chestnuts a fresh look. And I won't even take Dixon's singing to task. He doesn't have the power of Wolf or Muddy, to be sure, but there's a wry intelligence in his voice that almost compensates. He wrote these lyrics, some of the best ever written, and he sounds comfortable singing them.
I think what underwhelms me about this album is the feeling that, in 1970, it's so far out of time. It's hard to know what an old bluesman could have done in 1970 to sound right, though; Electric Mud is as scary as you'd think. Were the only choices an embarrassing capitulation to young, mostly white trends or an embalmed classicism? This isn't quite the latter, but close. It sounds like music made on a Thursday morning when the rest of the world is at work and you're not. Not like a stolen rest, more like a befuddling idleness.
This version of "The Same Thing" I do love, however.